Tessa Thompsonβs recent Netflix movie, βPassing,β is still a hot topic of conversation.
βPassingβ is an adaptation of Nella Larsenβs 1929 novel and is the directorial debut of Rebecca Hall, who considers herself a βwhite passingβ biracial woman.
Thompson plays Irene Redfield, who is staggered by her close friendβs lifestyle. Irene lives in Harlem with her husband, a Black doctor. Ruth Negga stars as the βpassingβ Clare Kendry, who is married to Alexander SkarsgΓ₯rd β an openly racist white man. Clare, who lives in a nice part of Manhattan, keeps the truth from her white husband.
Speaking to Harperβs Bazaar, Thompson opened up about how she decides on the roles she plays.
βLensing an experience like that. Weβve seen it time and time again in film iconographyβ¦and itβs always a white female protagonist,β says Thompson, Zooming me from Los Angeles, and grinning from ear to ear at the opportunity to discuss this story. βFor me, with the choices that I make in my career, I always ask: βWhere do we not get to be as Black women?β I hope Passing makes more room to be able to look at the interior life of a Black woman for her own sake. We have not so far been afforded that much space for nuance and ambiguity.β
Surprisingly, even though Nessaβs character went through her adult life passing for white, Thompson thinks Claire was far more honest than Irene.
βIn a perverse way, Claire is the honest one,β Thompson explains. βShe says to Irene, βIβm not safe.β And she is almost safer because she knows sheβs not safe. Whereas Irene is breaking everything in her hands, because sheβs not entirely honest with herself or her reality. In the film, you see her refusing to have these open conversations with her kids about race, which feel so eerily like they could be happening in the modern day.β
βPassingβ is still available to stream on Netflix. You can read Thompsonβs full interview with Harperβs Bazaar here.