This year, 2024, has been a career-defining year for Da’Vine Joy Randolph. Fresh off an Oscar win for her emotional role in The Holdovers, Randolph has now earned her first Emmy nomination for her guest appearance as Detective Donna Williams in Only Murders in the Building.
But for Randolph, “breakout year” doesn’t fully capture her journey.
“What I appreciate is that with every role, I’m making an impact in a new way,” Randolph tells The Hollywood Reporter. “My goal now is to be a breakout in every project I do.”
Randolph’s Emmy nod comes from her appearance in the “Sitzprobe” episode of Only Murders in the Building Season 3, where her character makes a memorable entrance filled with humor and grit.
Speaking with The Hollywood Reporter, Randolph opens up about her experience working alongside comedy icons Steve Martin and Martin Short, embracing physical comedy, and navigating new opportunities after her Oscar win.
On Balancing Scripted Comedy and Improv
Randolph’s sharp-tongued entry in the “Sitzprobe” episode is a blend of scripted lines and improv.
“The beauty of growing with a character over multiple seasons is that both the writers and I understand her so well,” she says. “That first line was all them, but from there, we got to play.”
Randolph’s chemistry with the show’s cast shines through, especially in scenes where she leans into physical comedy—a style she particularly enjoys.
Working with Comedy Legends Steve Martin and Martin Short
After three seasons of sparring with Martin and Short, Randolph is full of praise for the duo.
“It’s amazing to work with two best friends who have zero ego,” she says. “What I admire most is their childlike wonder and commitment to the craft. Despite all they’ve accomplished, they approach each scene with fresh excitement and playfulness.”
Post-Oscar Success: More Choices, More Strategy
Since winning the Academy Award, Randolph’s inbox has been flooded with offers. But she remains selective, prioritizing projects that align with her vision.
“The volume has definitely increased, but it’s important to discern what’s truly right for you,” she explains. “Just because there’s more doesn’t mean it’s the right fit. As an actor of color, I want to break free from being pigeonholed. Now, I have the privilege to be strategic and build a lasting legacy.”
Randolph’s commitment to both independent art-house films and larger commercial projects reflects her desire to showcase all her talents.
As she continues to break new ground, it’s clear that Da’Vine Joy Randolph isn’t just having a breakout year—she’s shaping an enduring career that defies limitations.
This story is culled from an article by The Hollywood Reporter.
